Showing posts with label Photoshop. Show all posts
Showing posts with label Photoshop. Show all posts

SOOC Sunday #1

>> Sunday, November 20, 2011

SOOC1Above is a screenshot from Bridge showing the before (the only thing done here is some slight cropping), the initial after and then a tri-tone image (it is this last image I am going to be focusing on below).



In the initial after image I have obviously done added a vignette and performed some sharpening but I have also removed some clutter in the background, softened her skin ever so slightly and cleaned up some rough edges of her hair. If memory serves, I added a little bit of contrast to her eyes (focusing on not changing the colour) as well.

In the tri-tone image I basically took the initial after image and performed a technique called Duotone in Photoshop. To start this process here is what to do:

1. With the image open in Photoshop select Image then Mode. The current selection will most likely be RGB mode. This is the typical mode that camera’s take images in – it is how my photos start out.

2. Select Grayscale. A couple of warnings will popup. The first is asking whether or not you want to merge your layers (if you had no layers then you will not have this warning). I typically do not merge them, however, it is best if you do. The second is asking whether or not you want to discard the colour information, click discard.



3. Once this is done, you can now go back into Image then Mode and select Duotone (it was grayed out before).



4. Up pops a dialog box – this is where the fun begins. The dialog box will bring up whatever Toning you last created/worked with. If you haven’t used this feature before, it will start in a Monotone setting (one colour to be used throughout the image). To change the number of colours used change Monotone to Duotone (2 colours), Tritone (3 colours) or Quadtone (4 colours). To change the colour click on the colour box and then select the one you want. You can either browse through the ‘swatches’ that are there or you can use the normal colour picker by hitting the Picker button on the right hand side of the newest dialog box.

5. The trickiest thing about this application are those little graphs beside the colour boxes. Essentially these are just like Curves boxes and show you the distribution of the colour throughout your image. On the Left are your highlight and the Right are you shadows. As you move the curve around you change how that specific colour acts in each of the areas. You can make the colour only show up in the highlights or switch it completely around and have it only in the shadows, or anything in between. It takes some time to get used to this and I would suggest not jumping right to Quad-tone when you are starting out.

Here’s a screen shot for the Tri-tone box I used for the above image.Tritone
As you can see, I used a fairly normal curve for my black and darker pink colour and then brought in a lighter pink in the highlights. The bottom colour bar shows the distribution of colours throughout the image. In a normal image, this bar would go from white to black.

Try it out sometime and let me know how it goes for you.

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SOOC Sunday

Despite the current busy schedule that is my life, I have decided to start a new feature here called SOOC Sunday. I will show you the image as I took it (straight out of camera) and then the final image after any alterations I made to it in Photoshop. If the changes are extensive I will also do a quick how-to about the applications I used on the final product. Let me know what you think, the first one will be coming later today.

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Pretty in Pink - Reprisal

>> Wednesday, May 26, 2010

DSC_0550erh A reprisal of Pretty in Pink. I put it through Photoshop and treated it using the art history brush – similar to what I did to the image I used as a header for the Great Abyss.

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Mallard Portrait: Reprisal

>> Friday, May 21, 2010

DSC_0002erh 

A little while back this female duck posed for me at Vincent Massey Park. I have since taken it in to Photoshop and treated it with the Art History Brush.

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PHO5552 Recap

>> Wednesday, May 19, 2010

I started taking the Photoshop: Beyond the Basics course at Algonquin in January and actually finished it in April. As i expected the course was not as great as it could have been. Don’t get me wrong, I learnt things and have been able to put them to use in my photography, but I was rarely wowed by anything and the things I did learn were few and far between. I missed a couple courses due to my vacation to Florida and a really bad cold that hit somewhere in the middle, and was never behind in anything. It would only take about 5 minutes for me to catch up upon my return. The instructor was the same guy as the previous course and anyone who has heard me talk about him knows that he is not my preferred teacher. He just doesn’t go about things the same way as I do and I do not enjoy his style as much as the other instructors in the night-time program. That being said, some of the other students absolutely love him so obviously he isn’t an outright bad instructor. Plus, as difficult as he seems during the course, he is apparently a pretty reasonable guy when it comes to the end of the course.
The first assignment we had was to take two images and insert the background of one (photo taken at Versailles) into the foreground of the other (the alps photo). There were a few stipulations, like removing the figure of Neptune and the village in front of the mountains.
                        VERSAILL ALPS01
When all was said and done, the below composite photo got me a B+, which I wasn’t very happy with. I realize I had missed some of the smaller details like the reflection of the mountains in the water, but other than that is was technically accurate and had all the other features he wanted (like channels, layers, etc). I also used Curves, Levels and other adjustments layers to alter the colour and saturationComp-Alps&Vers copyI figured the next assignment would be better marked. You see in the first Photoshop course I took with this instructor, he marked very unreasonably in the first assignment and then was better in the next ones. However, there turned out to be only one assignment in this course which upset me a great deal.
We had a theory test on which I was the only student to get perfect and then later a practical test on which I got an A-. Somehow I got an A in the course – I don’t understand it, but I am not going to complain because I think I deserved it.

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100 Possibilities: 1-25 Pooh

>> Sunday, May 16, 2010

1-25 Pooh er 

In which Pooh celebrates hitting the quarter-way mark in his goal to 100 shots.

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Avatar

>> Saturday, April 17, 2010

I've been playing in Photoshop with Chris' portraits again. The above photo took me about 45 minutes to do (it was the first time I have done this on my own) and I am pretty happy with how it came out.

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100 Possibilities: Stone Pooh

>> Monday, February 15, 2010

Originally taken in Magic Kingdom (Disney), this photo was always meant to be put through some grotesque treatment. I took the cement pattern from behind Pooh and placed it over him in a similar fashion to how I made Chris' grotesque photo, though this one isn't nearly as disturbing as hers.

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100 Possibilities: Flower Pooh

>> Saturday, February 13, 2010

My fourth photo for my 100 Possibilities Project is a composite photo where Winnie has taken time to stop and smell the flowers within the Magic Kingdom.

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100 Possibilities: Duotone Pooh on Fence

>> Thursday, February 11, 2010

I took this photo in Disney's Magic Kingdom Park, not that it really matters. I took it so that I could run it through Photoshop, which I have. I decided to do a duotone on this guy using black, dark blue, burgundy and peach. I think it has a sort of vintage feel to it and the processing definitely makes it more interesting than the original photo and different from the previous photos used for this project.

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100 Possibilities: Light Pooh

>> Tuesday, February 9, 2010

Taken right near the entrance of the Epcot park in Disney World, this is second photo for my 100 Possibilities Project entitled Light Pooh. I did take it through Photoshop and dodged/burnt it a bit, but other than that it is essentially the same as it was in camera.

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I ♥ Faces: We ♥ Kisses

>> Monday, February 8, 2010

This week's theme at I Heart Faces is Kisses. I was going to post a more traditional shot from either Tyler and Lynn's wedding or of one of the several kissing shots I have of Dave and I, but I thought this one was much more fun.
It was taken at Busch Gardens in Tampa Bay, Florida. Stilt walkers tour around the theme park and of course play with the guests, taking photos and in this case, making out with Dave. It is obviously a very lucky puppet.

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Grotesque

>> Tuesday, January 26, 2010

A while back Chris posted about Grotesque images on her blog - the image she used was one she found on the net of Obama transformed into a lizard creature. I found the image rather unsettling and can still barely look at it. Nonetheless, when I came across some texture images on the net the other day, one of the first things I thought of doing was 'grotesquing' an image I had taken.
The above image is one I took of Chris about a year ago for an assignment at Algonquin. I thought of using this one as one of the textures I had was a bark like material (aka bark) and I thought it might look like she was adsorbing the bark onto her skin.
I have run it past Chris and gotten the okay to post it, even though she thinks it is really creepy. I on the other hand, have gotten really desensitized to it as I have been staring at it for so long.
I don't know if I will be doing many more of these images, as the technique would be pretty much the same for all of them (with little variance) and I think I have gotten the hang of it pretty well here.

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I ♥ Faces: Fix-It-Friday 41

>> Friday, January 22, 2010

Over on I Heart Faces they have a weekly feature called Fix It Friday. They give their readers a photo to fix-up. Every reader is able to fix the same photo and I think it is really neat to see the different approaches and end results. This was the original image:
First I cropped closer to the children and cloned out the truck on the right hand side. I then went into curves and pulled the left hand side in to make it a little darker.
I then created a desaturation level and applied a mask to allow the colour of the swings show through but nothing else. I increased the contrast and sharpness as well.I then created another one using the same techniques, but with a more interesting crop.

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Duotone

>> Wednesday, January 20, 2010

I have been playing around in Photoshop, like I tend to do in my spare time and am spending a fair bit of time trying to learn the ins and outs of a feature called Duotones. We were shown it in the first class of the second Photoshop course offered at Algonquin and I was really interested in it. Basically, you take a grayscale image and add inks to it one at a time. You adjust the intensity of the inks you apply the same way you would adjust the lighting via curves so that part of it is familiar at least. You can have one ink (monotone), two inks (duotone), three inks (tritone) or four inks (quadtone) applied to an image.The first image here is one I took way back in 2008 while in London, England. It is much more subtle then the below image from Chicago, taken last year. They are both quadtones (four inks applied) but obviously have different colours and intensities applied. The Easter Island image has three grays and a pink while the Chicago image has a black, blue, purple and pink applied in that order.
When using the Duotone feature you have to keep in mind that it is best to apply the colours from darkest to lightest. The logic wasn't explained to me by the instructor, just the rule. But it makes sense as the inks are applied almost like screens. If you place a darker screen over a lighter one you won't see the lighter colour at all.
I am far from perfecting duotones, as you can clearly see in the images I have done so far, but I like the effect it has and how it can range from subtle to in-your-face so easily. This is definitely something I am going to continue working with.

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PHO5552

>> Wednesday, January 13, 2010

Photoshop Beyond the Basics is the fifth course I have decided to take at Algonquin College. So far it is rather boring, but definitely has potential. We will be stepping out from the basic commands like different brush sizes, etc (as the course name implies) and into more complex ones like paths and channels, which I am looking forward to.
According to the Algonquin website(and course outline therein):
"Students expand their working knowledge of Adobe Photoshop using more advanced image manipulation tools. Students also learn to use Adobe Bridge and Adobe Image Ready programs located within Adobe Photoshop. Image manipulation, special effects and image enhancement techniques are discussed, demonstrated, and practised. Advanced Photoshop tools include colour correction using Curves, Channel/ Layer/Filter application techniques, device calibration, Scripts and Actions, Path/Pen tool as a selection tool, Advanced Text treatment and applications, Filter use and effects in creating 3D graphics."
To be honest, I am a little hesitant with this one as the last Photoshop course wasn't as magnificent as I thought it would be. It wasn't bad, and I definitely learnt a fair bit, but not nearly as much as I thought I would. We'll see what this course teaches me in due time.

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Signature

>> Sunday, January 10, 2010

You may have noticed in the last three photos that my signature has changed. For the past two years it has been the same 'Stephanie Beach c 2008' (that's right throughout 2009 my signature stated 2008 on it). I tried to change it a couple of times, but for some reason I had lost the font on my computer and was no longer able to edit the text. I made the decision about a month ago that I would wait until 2010 to change my signature and not post any new photos until I had updated it.
Unfortunately I could not edit it as I would have liked as I am still running without Photoshop on my personal computer. It was edited enough to no longer say 2008, but will need at least one other edit to get to the stage I have in my head.
Anyway, to make a long story short, signature changed, will change again.

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Motivation Monday - Peter Lindbergh

>> Tuesday, December 29, 2009

"My feeling is that for years now it has taken a much too big part in how women are being visually defined. Heartless retouching should not be the chosen tool to represent women in the beginning of this century." Peter Lindbergh on the overuse of retouching in fashion photography.
Peter Lindbergh (born Peter Brodbeck in 1944) has been called "the worlds greatest fashion photographer" (Ian Phillips, 1997). He has been taking fashion photographs since 1978 and has created some absolutely amazing photographs since. He has shot several television commercials and ad campaigns for some of the biggest companies and with some of the biggest stars (e.g. Tina Turner for Hanes). He has even directed a short documentary, which received great reviews and awards. He has shot some of the most famous fashion models such as Naomi Campbell, Linda Evangelista, Tatjana Patitz, Christy Turlington and Cindy Crawford (photographed together in 1990, below). One would think, as a fashion model, being photographed by Peter Lindbergh would be not only an honour, but also something you would definitely include in your portfolio.
His photographs have been published in almost every fashion magazine in existence including Stern, Harper's Bazaar (Fashion Olympics article, below, featuring Lucy Liu) and Vogue.
His first book, Ten Women, was published in 1996 and has sold over 100,000 copies. It is a collection of black and white photographs of ten top models of the moment. He has been given award after award and many photographic honours throughout his career.
One of the things that I find most inspirational about him are his views on Photoshop and digital retouching (see quote at beginning of post). From what I understand of his views, mine are similar in that, retouching should not be a photographic tool as it is. It should take less of a role and the photographer should be more aware of their subject and have the abilities to create a flattering, and yet still honest, image without relying on digital assistance. Lindbergh definitely has the skills needed to create not only flattering images of his subject, but incredibly interesting and unique ones.
(images found through Google)

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Photoshop Gone

>> Sunday, December 6, 2009

I am temporarily without Photoshop. In order to not have to write this out twice, the story behind this is posted on my other blog and can be read here.
Without Photoshop, I feel a little lost and bewildered. I am able to complete assignments by using Dave's computer, but without a properly calibrated monitor, I am not able to work on anything else as it just takes so long. Dave's computer can't really handle the Adobe software and it is therefore extremely irritating to have to use it there - though it is definitely better than not having it at all.
Dave and I are working on a few solutions to my Photoshop problem. But in my honest opinion, I truly believe I am going to have to fork up to dough to purchase the legal software. The creative suite (CS4) is available through major retail stores and the Adobe website for $2500, but using my student number at Algonquin College I can get it for $900 (student version).
To make a long story slightly less long, I will not be posting any newly edited photos anywhere for a little while. I am going to do my best to find some already edited photos that have been completed (and resized) for your viewing pleasures though.

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Flickr

>> Tuesday, November 3, 2009

I created a Flickr account the other day and have since started uploading some of my images to it. I think this will be the best way for me to share larger numbers of photos at one time (eg. Holiday photos of family and friends). I will let you know when I post a large group of photos there both here and on my regular/daily blog, for those of you who only visit one but might still be interested. They are of course, edited to some degree as well as signed and resized. If you are ever interested in any of my photos, just let me know and I will gladly discuss whatever it is you want to discuss.

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Copyright

The work contained in my online galleries and published on my blogs is Copyright Stephanie Beach 1998-2011 (unless otherwise stipulated). All rights reserved. My work may not be reproduced, copied, edited, published, transmitted or uploaded in any way without my written permission. My work does not belong to the public domain.


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